Sophie & Giovanni — A German-Italian Wedding at Poggio del Tempo Perduto, Sicily

The first voices I heard that morning weren’t speaking Italian. They were laughing — which, I would learn within minutes, is how a German-Italian wedding in Sicily announces itself.

They were laughing so hard that for a few seconds I wondered whether I’d manage a single sharp photograph.

Sophie was already ready when we arrived at the hotel. Dress on. Makeup done. Hair finished. Around her, a small army of German friends in dressing gowns.

An unusual situation.

At the weddings I’m used to, the bride’s preparation is a story that builds slowly. The dress on its hanger. The details. Hands helping to fasten a button. A mother stepping into the room and pausing at the door for a moment.

That morning, the chapter seemed already closed.

So we did what we always do when something doesn’t go to plan: we stopped thinking about the plan.

Everyone in the room wore the same slightly lost expression, the one that says tell us what to do. So I asked the girls to play. They started timidly. Then less and less so.

At one point they were running in a circle around Sophie, holding hands and howling like a pack of wild creatures fresh out of a northern forest. I can’t find a more precise description.

I remember Antonio watching the scene in silence while I laughed. Sophie was doubled over.

I remember saying they looked like a pack of werewolves. From there, things degenerated for good. Someone mentioned vampires. Someone else proposed alcohol as the only viable survival strategy.

For a few minutes the wedding disappeared. What remained was a group of friends.

The robe, worn twice

Then, between one joke and the next, a small sentence surfaced: Sophie would have liked some photographs in her dressing gown.

She didn’t say it the way people make requests. She said it the way people talk about things they already consider lost.

The difference is subtle. People planning a wedding spend months imagining moments that don’t exist yet, and some of those moments settle into memory long before they happen. A morning in a hotel room with your closest friends is one of them.

So I asked her if she wanted to go back. Literally. Take off the dress. Put the robe back on. Start the morning again.

She said yes without hesitating.

A few minutes later the room felt different. Or perhaps the people in it were.

Cocktails arrived. Someone leaned out onto the terrace, and the sea of Venetico was right below. The music started, the girls went back to laughing, and the photographs arrived on their own.

A German-Italian wedding in Sicily, told as it happened

Later that day, Sophie and Giovanni exchanged their promises in a symbolic ceremony at Poggio del Tempo Perduto, a hilltop venue in Valdina, just outside Messina, with the Gulf of Milazzo and the Aeolian Islands laid out below the terraces. Two languages, two families, one long table that grew louder as the light went down.

For couples coming from abroad — or couples like them, half from here and half from somewhere else — a symbolic ceremony is often the simplest way to marry in Sicily: no paperwork on the day, complete freedom in the words and the timing. I explain how it works in my guide to getting married in Sicily as a foreigner.

When I look back at these images, I don’t think about whether they came out well. I think about how thin the line can be between a memory that was missed and a memory that stays. That day, it passed through a dressing gown.

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If you’re planning a German-Italian wedding in Sicily — or any wedding where you’d rather be present than perform — you can see how I work with Juna Photography and tell me your story.

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